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Is South Indian Cinema better than Bollywood?


Bollywood will have to go the extra mile.

The South Indian film industry, especially the Telugu film industry, has embarked on a post-pandemic era.

movies such as RRR Consolidate their influence at the national level.

This is a bullish trend, and more Southern films will attempt to achieve this feat in the future.

Baahubali: Start started trending and then came Baahubali 2: Conclusion, Saho, Pushpa: Rise Now RRR.

West India bowler Obed McCoy coolly wipes his chin with the back of his hand as he celebrates taking a wicket during an Indian Premier League game in April 2022.

McCoy’s parody of Allu Arjun’s gesture is a reminder Pushpa: Rise Box office since its December 2021 release.

It’s also a reminder that South Indian cinema has perfected the art of making pan-Indian films that appeal to more domestic and foreign audiences.

And, the results show where they matter most, in terms of the money they make.

Salman Khan also admitted this. On April 25, 2022, he said that the heroism in southern films draws audiences to theaters, something that Hindi films lack today.

Tollywood blockbuster RRR It’s also proven to be a hit with viewers, especially on Netflix, where it’s reportedly clocked in at over 45 million hours worldwide.

RRR Also Beyond Akshay Kumar’s Bollywood Crime Drama prajam pandey Be the biggest opening-day box office hit of 2022.

from RRRWith improved combat choreography, animal figures, and the use of slow-motion footage, it’s no wonder the film is a hit with audiences across the globe.

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This includes American audiences, which is surprising given their general aversion to foreign films and subtitles.

In March 2022, producer Vishnu Induri said the film industry was affected by the Covid-19 pandemic, with films such as RRR Will bring back hope and spur filmmakers to continue to be ambitious.

“It has pushed filmmakers to make more pan-Indian films, telling patriotic stories and launching multiple starring roles. It’s a fantastic and healthy trend,” he said.

Karnataka film industry also tastes blood KGF 1 and 2 to some extent.Even the Tamil film industry is trying to pass 2.0.

It just goes to show that every actor, director and now production company from the South will try to reach a larger audience at home over the past few years.

It is clear from this that every regional film knows there is a Rs 1,000 crore box office market up for grabs and every film from the South wants to grab that number.

No doubt a fair number of these films won’t make that transition, but most of these films will try to do so because the cost-to-benefit ratio works in their favor.

In terms of distribution and marketing, the cost is negligible compared to the return they can get from the film, which in turn increases the satellite and digital rights to their films.

This is the dichotomy between Hindi and local films.

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Hindi films will have to figure out how to expand the market, especially in southern India, which has nearly half of India’s screens.

Reason for even the highest collection of Hindi movies dangar Around Rs 375 crore, which is insignificant in any southern market.

This is the Achilles heel of Hindi films as they have to figure out a way to boost box office numbers in southern markets.

Southern cinema has made a smooth transition to northern India and vice versa, and Hindi cinema has a certain influence in the south as well.

Bollywood will have to go the extra mile, although they are taking steps to get national actors working hand in hand with regional directors.

However, they will have to do more to develop a loyal audience for their films.

Keep in mind that box office collections are also tied to ancillary rights like satellite and digital, as this could also decline if Hindi box office performance starts to stagnate.

It all comes down to burning growth ambitions and risk management commensurate with returns from a financial standpoint.

South has deciphered the math very well, the release window will become competitive in the Indian market, and South has a strong lead in driving the Indian film industry forward.

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