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How to Light Your Photos and Videos Like an Expert


To explain soft versus hard light, Taylor uses the example of sunny (hard) sunlight and cloudy (soft) sunlight. On a clear day, the light comes from a small source – the sun – so it creates a hard shadow. On a cloudy day, the light comes from all directions, and as it is diffused by the clouds, there are few shadows. In photography and videography, hard light is light from a small light source (like a bare flash), while soft light is what you get when you place a large diffuser (or softbox) in front of the flash.

This light location Photos can be altered in many ways, whether it’s creating a silhouette, separating the subject from the background, or even illuminating the background itself. To illustrate how the placement of lights affects the impression of an image, Art Streiber uses the example of a camera flash, which immediately evokes the feeling of capturing a moment in an event or paparazzi shot. If you move the flash out of the camera, or hold it in your hand at the end of your outstretched arm, the same photo will make a completely different impression.

This intensity of light It has to do with the brightness of the light, which translates in the image to whether you want to create a natural look or make the scene look bright on purpose. David Hobby uses a culinary analogy for adjusting the intensity of light: “You taste the soup. You think, ‘It needs more salt. You add salt. The only real difference is if you add too much Salt, you can easily bring it back.”

This example from Karl Taylor shows the use of shade and color to create emotion. “Is that light coming in through the gap in the curtain?” he asked. “What makes the atmosphere better? Is it the combination of warm golden light through the gap and shades of blue that give it a melancholy feel? Is there enough detail to be seen in the shadows?”

Photo: Carl Taylor

Karl Taylor says that most of our visual systems are not based on color, but on lightness and shading. “We’re seeing black and white unknowingly.” Taylor cites spots on a deer or stripes on a tiger as examples that don’t look very covert in color, but in terms of how brightly other animals see black and white , it is an excellent camouflage.Taylor warns that color can trick the eye into thinking the image is brighter than it really is, so he often edits the brightness of black-and-white images first, then Then Edit the colors so they don’t give his eyes a false sense of brightness.

Create a lighting scheme

Lighted spice racks can get cluttered quickly, so professionals build their lighting scheme one step at a time. “The first light source is what’s called the ‘primary light source,'” Austin Paul said. After deciding where to place the first light, place the “fill light” on the other side. For most setups, the fill light is not as good as the main light. One reason for this, according to Paul, is because it makes the subject look more 3D, and with a fill light that’s a little darker than the key light, you can create a light-to-dark gradient.

With just a single light kit, you can easily create more attractive and three-dimensional photos.

Photo: David Hobby

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