Home Hollywood How three Asian box office hits saw off Hollywood blockbusters | Features

How three Asian box office hits saw off Hollywood blockbusters | Features

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Even in the face of the Covid-19 pandemic and competition from blockbusters in the US, Asia recorded record local hits in 2021, according to the latest Made in Asia report.

The Asian Film Industry Annual Report is part of the Asian Manufacturing Industry Program organized by the Bucheon International Fantastic Film Festival (Bifan) in South Korea, which took place from July 7th to 17th. Scroll down to see the box office leaders in the 12 Asian markets featured in the report.

Screen Talk to distributors and producers from Hong Kong, Taiwan and Vietnam about the success of three local hits.

Anita

Anita (Hongkong)

Catalog Liang Longwen
Local Distributor: Edko Films
Local Box Office: $7.8 million

The biopic dedicated to legendary Hong Kong singer and actress Anita Mui was released locally in November after serving as the closing film of the Busan International Film Festival in South Korea. Produced and distributed by Bill Kong’s Edko Films, the film became the highest-grossing local film and third-highest-grossing film of 2021.

“Anita Mui is a collective memory. Her life and her songs have had a profound impact on the people of Hong Kong,” said Lim Mandi, general manager of sales and acquisitions at Aideco Pictures.

Despite her humble origins, Anita Mui’s bold image and charismatic stage presence catapulted her to become the most popular Cantonese pop diva in Hong Kong’s golden age of the 1980s and 1990s. She is also an acclaimed actress, winning the Golden Horse Award and the Hong Kong Football Association’s Best Actress Award for her role as Leslie Cheung’s ghost lover in Stanley Kwan’s film. rouge 1988.

Some key moments in her life were captured Anitashe opened with her final concert in 2003, less than two months after her death from cervical cancer at age 40, and reflected on her legacy.

“Louise Wong’s fantastic performance and authentic rendition of old Hong Kong also helped to make a mark on the Hong Kong box office,” Lam added.

The casting of professional fashion model King was kept secret until a few months before its release. She was nominated for Best Actress and Best Newcomer at the Hong Kong Film Awards (HKFA), which has 12 nominations and is scheduled for July 17.

Outside Hong Kong, the film received a wide pan-Asian distribution, including Malaysia, Singapore, Taiwan, Thailand and Vietnam, both through Sony and China. In February, Disney+ launched a 45-minute, five-episode director’s cut.

man in love

man in love (Taiwan)

Dir. Yin Chen-Hao
Publisher: Sony Pictures Publishing
Local box office: $13.84 million

This romantic drama is a remake of South Korean director Han Dong-wook’s 2014 film of the same name. Released in early April 2021 – Before Taiwanese cinemas first closed in late May during the pandemic, it became the highest-grossing film locally and the second-highest-grossing film that year Spider-Man: Nowhere to Go And it was the sixth highest-grossing local film of all time.

“We added a lot of Taiwanese elements from the production design to the local customs on the basis of the original Korean film, and took the time to get the heart and soul of the adapted story right,” said executive producer Veronica Jin. man in love Marks the first film project for Kim’s Taipei production company, Calendar Studios.

“We are promoting the film as a new kind of Taiwanese romance,” she added. “The great performances of the two leads have not gone unnoticed. Their romance is handled in the most natural way that resonates with the audience.”

A-list cast by Roy Chiu (dear ex) as a petty thug who asks young women, by Xu Weining (Netflix’s victim’s game) to date him to pay off her family’s debt. After the movie was released, the two actors got married in real life.

man in love Marks the film debut of music video director Yoon. He and the cast worked hard to promote the film, conducting nearly 200 post-screening Q&As. “Taiwanese audiences generally hide their feelings in their hearts, but when they came to thank us, they shed tears,” Kim said. “This movie is dramatic. If a melodrama can make people cry, we’ve achieved something.”

The film, which also opened in China and South Korea, added $41.5 million at the box office. It’s available on Netflix worldwide.

sorry dad

dad, sorry (Vietnam)

Directory Tran Thanh, Vu Ngoc Dang
Local Distributor: Galaxy Studio
Local box office: $18.3 million

comedy dad, sorry After its March 2021 release in Vietnam, it broke all local records, sold over 5 million tickets and surpassed Avengers: Endgame As the country’s highest-grossing film of all time, it grossed $18.3 million.

“Unlike the westernized-themed remake, the film is a true, authentic depiction of Vietnamese culture, aimed at a mass audience,” said Vo Thi Thuy Trang of Hanoi-based producer and distributor Galaxy Studio.

The story revolves around a large family living in the noisy alleys of Ho Chi Minh City. Conflicts and squabbles between family members, even small things, are a daily affair.

“Characters realize that family is the most beautiful thing they should cherish,” Trang added. “This meaningful message was successfully conveyed to the audience, who could easily comprehend the touching story.”

She also attributes the film’s success to the huge popularity of comedian and host Chen Qing, who directed and produced a five-part web series of the same name, which has been on YouTube since December 2020 has reached 180 million total hits.

movie version dad, sorry Marking Thanh’s directorial debut, he co-directed with Vu Ngoc Dang and starred as the eponymous father.

Internationally, the film reached another milestone in the U.S., grossing $1.3 million through distributor 3388 Films, the first Vietnamese-made film to surpass the $1 million mark. Local success has also led to a theatrical release in Australia, New Zealand, Hong Kong, Malaysia and Singapore. The film was also submitted by Vietnam for the International Feature Film Oscar, but was not shortlisted.

One Asian Manufacturing Forum Discussing the possibilities and challenges of the post-pandemic film industry will take place at Bifan and stream on July 10. Panelists included Japanese producer Masumi Aikawa; KOFIC researcher Matthew J-woo Lee; Liza B Dino of the Philippine Film Development Council; Indian journalist Keyur Seta; and Thai journalist and producer Donsaron Kovitvanitcha.The meeting will be Screen InternationalThe Asia editor of Jean Noh.

Top-grossing local movies in Asia in 2021

* The highest grossing film in the local market overall

1. China: Battle of Changjin Lake: $864.5 million*
Dir. Chen Kaige, Tsui Hark, Dante Lam
Distributor: Zhejiang Bona Film and Television Production, Huaxia Film Distribution Company

2. Japan: Evangelion 3.0 + 1.01, three times: $78.97 million*
Dir. Hideaki Year
Publisher: Toho, Toei, Studio Khara

3. India: Pushpa: Rise: $32.72 million *
Directory Sukumar
Publisher: Mythri Movie Makers

4. South Korea: Escape from Mogadishu: $27.33 million
Contents Ryu Seung-man
Distributor: Lotte Culture Factory Lotte Entertainment

5. Vietnam: dad, sorry: $18.7 million*
Directory Tran Thanh, Ngoc Dang Vu
Distributor: Galaxy Distribution

6. Taiwan: man in love: $13.83 million
Dir. Yin Chen-Hao
Publisher: Calendar Studio, Sony Pictures Entertainment

7. Hongkong: Anita: $7.82 million
Catalog Liang Longwen
Publisher: Edko Films

8. Indonesia: Markham 2: $4.94 million
Director. Guntur Soeharjanto
Publishers: Dee Company, Blue Water Films

9. Thailand: 4 king: $1.99 million
DirectoryPuttipong Nakthong
Publisher: M Pictures, Neramitnung Film

10. Singapore: diamond age 2: $1.25 million
Directory Jack Neo
Publisher: Golden Village Pictures

11. Malaysia: my haunted honey house: $73,024
Directory Abdul Razak Mohayden
Publisher: GSC Films

12. the Philippines: Taya: Not applicable at the box office
to say.Roman Perez Jr.
Publisher: Viva Films

resource: Made In Asia, published by Bifan





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