Home Bollywood How remakes and sequels make Bollywood lose its credibility among the audience-Opinion...

How remakes and sequels make Bollywood lose its credibility among the audience-Opinion News , Firstpost


Shehzada, Hit, Vikram Vedha, Drishyam 2 and many other movies will be released in the coming days.

Not long ago, Bollywood was considered the largest entertainment industry in the country. But over the past decade we’ve all witnessed dramatic changes, with South Indian films including Tollywood, Mollywood, Kollywood and Sandalwood making a name for themselves with their otherworldly images, impeccable narratives and excellent storyline direction rose to prominence and began to gain pan-Indian appeal.

On the other hand, the Hindi film industry is losing control of the audience due to lack of originality. In fact, the decision to cash in on South and Hollywood remakes backfired on producers as audiences rejected some of the big-budget Bollywood adaptations outright.

Recent examples include Shahid Kapoor’s jersey and Abhimanyu Dassani’s Nikamainteresting remake of Nani’s Telugu movie and jersey and MCA Middle Class Abay. To be honest, during the epidemic, audiences have already seen the original movies, which affected the box office of the aforementioned movies.

Concerns remain in Bollywood as there are many remakes in the pipeline, including Rajkummar Rao beat (Remake of Vishwak Sen beat), Hrithik Roshan – Saif Ali Khan’s Vikram Veda (Remake of R Madhavan-Vijay Sethupathi’s Vikram Veda), of Kartik Aaryan Sheikh Zada (A remake of Aru Arjun’s alaviquinta pramulu), of Ajay Devgn Bora (Remake of Cassie’s Casey) and many others.In fact, Aamir Khan’s upcoming big shot Lal Singh Chada Also adapted from a Hollywood movie Forrest Gumpwhich features Tom Hanks as the protagonist.

Due to the lack of originality in most films, we are seeing audiences leaning towards South Indian films. The popularity of stars such as Ram Charan, Allu Arjun, Jr NTR, Prabhas and Yash in the northern market has now challenged Bollywood producers and stars to step out of their comfort zone and make true pan-Indian films rather than niche And high-end cinemas, targeting metropolitan cities like Mumbai, Delhi, Bangalore and Kolkata.

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