Home Hollywood Don’t Make Me Go Director Hannah Marks Interview – The Hollywood Reporter

Don’t Make Me Go Director Hannah Marks Interview – The Hollywood Reporter

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writer-director Hannah Marks, who got her started acting in projects like this Accept, weeds, necessary roughness and Dirk Gently’s Overall Detective Agencymaking her feature film directorial debut after everything, she also wrote. She directed another film, which she wrote, mark, mary, and othersbefore she directed don’t let me gois currently streaming on Amazon’s Prime Video.

For Max, directing a film that she didn’t write is something she “very much likes.”

“It was a great experience because I had to have an external view of the material, and it was really fun to improvise on material that was already there,” Max told hollywood reporter“We did some improv and played a little bit because everyone was very cooperative and involved.”

But that doesn’t mean making don’t let me go Not without challenges. The film stars John Joe and Mia Isaac as a father and daughter who take a road trip from California to New Orleans, ostensibly to bring Joe’s Max to his college party. But the trip was really a way for Max, who was diagnosed with terminal cancer, to reconnect with daughter Wally (Isaac) with her mother and teach him some useful life lessons.

Based in New Zealand while working with Cho at Netflix Cowboy Pop During the COVID-19 pandemic, Marks and Co. had to choose between casting and making an American road trip movie in New Zealand.

“Borders are closed and having John Cho and America at the same time is not feasible, so we chose John Cho because at the end of the day, even though this is an American story, the most important aspect is the father-daughter relationship and John is a great fit for the role , we thought we’d come to him,” recalls Marks. “There were zero cases of Covid-19 in New Zealand at the time, so it was very safe for us to go there and shoot the film. Of course, as you can imagine, there were a lot of challenges.”

As for what those challenges are, Max is quick to list a few: “It’s an American road trip movie set in summer and we’re in Oakland in winter. The weather is a challenge. All driving is a challenge. They’re on the road. Driving on the other side. They also don’t have as many roads and highways, and you’re not allowed to close them, so it’s tricky.”

She added: “Also, left-hand drive is illegal unless it’s a classic car, which is how Max’s Wagoneer was born. That wasn’t originally part of the story. Before he drove a modern Toyota…it’s interesting , there are a lot of random things you can’t expect, like doors, I noticed all their door handles and door handles are much higher than there they are here. Trying to sell in Oakland California, New Mexico, New Orleans, Florida. No Other New Orleans.”

Despite all these difficult and tweaked aspects of the story due to geography, like the cars, Max said filming in New Zealand “ultimately” made everything “better”.

“We have a fantastic local staff who are very supportive of making everything look American,” she said.

after not writing don’t let me go and the upcoming film adaptation of John Green’s best-selling novel Turtle all the way downwhich she directed for HBO Max, Marks sees herself writing the story of the future.

“I might write the next movie because I didn’t write the last two and I’m eager to get back to it, and even though I like the script I’m going to direct and appreciate it, I really want to do some writing,” she said.

But this does not mean that Max don’t let me go. and ECGMax opened up about how she got involved with the film, why it resonated with her, making films for the streaming service and her future as a writer-director.

How did this project come about? What made you want to direct it?

I had an all-hands meeting with Peter Saraf at my office in Great Beach, NY.I’m a huge fan of him because he makes Miss Sunshine and adapt and all these great movies.He sent me the script don’t let me go I read it immediately after we met and I absolutely loved it. I was absolutely blown away by the twisted ending, and I think the twist at the beginning and end of the movie was so bold and brave, so it resonated with me emotionally. In my own life, I have a lot of connection to it. So this is where it really starts.

Can you elaborate on the connection to your own life?

My dad taught me to drive and he is also a cancer survivor.

[The following paragraph contains spoilers from Don’t Make Me Go.]

Most importantly, I have a problem with my heart. That’s why that twist really struck me. I really hope and think mine won’t kill me, but I do have a problem with my heart valve, I monitor and check I don’t always talk about it, but it definitely connects me to the twist that happened.

[Spoilers end]

What do you hope people get out of this movie?

I hope they take you to be able to grow up at any time in your life. It’s not just about a 15-year-old coming of age, it’s also about coming of age for her dad in his 40s. It’s never too late to change, try or take risks. I hope I grow up still working hard to pursue my dreams and different career paths and ambitions. I want to sing this song at the end of the movie.

This movie is coming to Amazon, your next movie Turtle all the way down Available on HBO Max. What do you think about this era of the movie being released on streaming platforms, where the theatrical future is a bit of a question?

I love going to the cinema and miss it so much because I think it’s very important. However, I don’t like talking crap on streaming because it means more artists can make movies, and I’m lucky to be a part of that. Streaming allows me to make projects that I might not normally be able to make. I have no qualms about streaming or the movie not hitting theaters because it really allows us to tell more stories and reach so many audiences.

Turtle all the way down It’s been a while in development, and you’ve been in development for a while — first on Fox, now on HBO Max. After some twists and turns, what was it like to be a part of the project?

It’s great because I think I’ve been able to grow with this project. I was 23 or 24 when I first started interviewing for this film, and now I’m in my 20s. In my own personal life, I have changed and grown, and my perspective is exciting as the project shifts. The story has become even more relevant during the pandemic, as the main character is so afraid of germs and infectious diseases that now we can all relate to it, not just people with anxiety or hypochondria. I think we’ve all been through this experience now. So in a weird way, this movie has become more common around this time, and I really believe it wasn’t made until now.

As a writer-director, what kind of story do you hope to tell?

I think I will always focus on the central relationship, my role will always be my main focus. I wanted to add a higher conceptual edge to what I wrote. The last thing I wrote, I haven’t come out yet, there’s a robot that happens in the near future and I really, really enjoy the process and find it very entertaining, but of course it’s still a love movie even if It has a robot.

This interview has been edited and condensed for clarity.





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